These illustrations by Natalia Jheté are rather lovely.
That’s it. That’s all there is to it. Pictures. Lovely. Bam.
More at http://nataliajhete.com/
Pics via I Love Illustration Blog
…Fashion, Art, Sex and Disco by Roger and Mauricio Padilha.
Brought to you by the brother team behind the Stephen Sprouse book, Antonio Lopez: Fashion, Art, Sex and Disco is heavy on the fashion and art, profligate with the sex and mercifully sparing with any disco tendencies. As a luxe retrospective of the man who changed fashion illustration into a fairly straightforward representation of clothing into a glamorous, high-burning lifestyle to aspire to, it is comprehensive, but not bleatingly sympathetic.
The book charts Lopez’ work, as it goes from black and white Bridget Riley’esque Op Art illustrations for WWD, to the louche lines and Toulouse-Lautrec inspired saturated colour arrangements of Maxime de la Falaise, to his own hyper-sexualised clean drawings, which would become one of the most obvious signifiers of his era. His style totally typified the 80′s – stark, one coloured, androgynous faces of many races, most with contrasting slashes of blusher and deep, dark eyeshadow.
The book is not just illustration; Lopez used his Instamatic without thought for the prohibitive price of film – his photos make the viewer feel voyeuristic, so sexual are they. The sheer volume of exposed supermodel breast on show makes the reader feel as if they’ve gone through a secret cache of private photos on a famous person’s phone. Such is the power of instant film and the Lopez clique.
With those are many, many photos of Lopez and his partner, Juan Ramos, out and about, enjoying beach holidays with Karl Lagerfeld and horsing around with Jerry Hall. The mix of biography and retrospective is hardly surprising – The work of Lopez was radically intertwined with all other aspects of his life. He socialised with his muses (even becoming briefly engaged to Jerry Hall) and stayed with Ramos as an artistic and business partner long after their romantic relationship had waned.
Perhaps the best part of the book is the selection of pages from his diary – mostly sketches, some photos, scraps and a smattering of words. The breadth of his talent was ever-expansive. Through these diary pages we see a distilled essence of what shines through the whole book – love. It is pure, unabashed love which powered Lopez’ work – love of life, of colour, of form, of the fulfillment brought through work and taking advantage of every available opportunity.
Antonio Lopez: Fashion, Art, Sex and Disco, by Roger and Mauricio Padilha, is published by Rizzoli and is out now.